I was invited to take part in Natasha Wing's Back-to-School blog tour this year. It was a perfect fit for us, since Frances just started first grade last Wednesday. We were lucky enough to receive The Night Before First Grade from Natasha (and you can too! - details at the end of the post). I was amazed at how many of the details of the book felt like they came right from Frances' experiences, and I can't wait to tell you about her review of the story. But first, a summary of the plot so you can see why it fits Frances so well.
The night before school starts, Penny is so excited she can hardly stand it. She is packing school supplies and her lunch and planning her outfit. Penny and her best friend Jenny have matching outfits already picked out, and neither of them can wait to start the new year. But when the day dawns, and the girls scurry off to school, there's a problem. "The principal told us that some changes were made. 'We have some new students. So we split the first grade.'" You might predict the outcome - the best friends have been split up. This sudden, unexpected change might make the day terrible for some first graders. But Penny realizes "I had to be brave because I'm a first-grader." And it turns out her new class isn't all that bad - she knows most of the other students already, and her teacher, Mr. Barr, is great. Penny plucks up her courage and goes to say hello to someone she doesn't already know. It turns out that the new girl and Penny have things in common - favorite colors and pet turtles. When Penny and her new friend, Nina, join the crowd going to the lunchroom, looking for Jenny, there is one more surprise in store for Penny.
There are seventeen books in The Night Before series. We read The Night Before Kindergarten last year too. So many of the books in this series have to deal with everyday worries and events that I could have requested any title, and they would have all resonated with Frances and Gloria. Wing really knows what this age child is interested in. There's The Night Before the 100th Day of School, The Night Before the Tooth Fairy, and we even could have read The Night Before Preschool since Gloria's preschool started last week too. Since all the books are based on Clement Moore's "Twas the Night Before Christmas", the poetry is familiar. Wing does a great job of adapting it to her themes without making it wholly unrecognizable. There is the twinkling and wondering of eyes, just like in the poem. Impressively, the rhymes also never seem forced into this artificial structure, which is very tricky to do.
Now for our personal experience reading this story with Frances (I feel obligated to say that Gloria was there too, even though her opinion doesn't matter as much this time). Frances was very surprised at how much Penny's experience on the first day of school echoed her own. Some of this is because many first grade experiences are alike - for instance, the classroom routines or the bus ride. Then there were some things that were just luck - the fact that Frances, too, has a male teacher. But there were a couple of things that really spoke to Frances.
This year, Frances' school, unlike many of the other district schools, didn't tell students who their teacher would be next year at the end of the previous school year. Many of our friends spent time in the classrooms and knew what they were in for, and we spent the summer jealous of them. Frances wondered all summer who her teacher would be. There was a perfectly reasonable explanation for the school's decision not to announce teachers, and it very much like what happens to Penny. There is quite a bit of mobility in Frances' school, and the school could not be sure how many students there would be or in which first grade classroom children would end up. When the teaching assignments were made, and the letter came in the mail, Frances had gotten the teacher she wanted. On the downside, much like Penny, only a few of her friends were in her class.
Frances handled this change in much the same way Penny did. She has become closer with other friends during the school day, and looks forward to spending recesses with a whole large group of girl friends. The Night Before First Grade definitely helped with this transition, as Frances realized that there were opportunities in her new class, and that she didn't have to be nervous about meeting new friends. Just like the Girl Scout song, she can "Make new friends, and keep the old."
One of the other things that I liked about this book was the bus ride. Frances took the bus last year, but didn't love it. The district rule is that kindergarteners and first graders sit in seats with five-point harnesses for safety. Frances felt that this was babyish, and she was frustrated with the amount of time it took her to get buckled and unbuckled. Even in the last few days before school started, Frances didn't want to take the bus again this year. But her bus experience has improved - maybe it's because a close friend is now riding the bus with her, maybe she's figured out how to buckle faster. Regardless, she has adopted the attitude that Penny's dad celebrates in the book "What a big girl you are to be taking the bus." Frances is enjoying the bus now.
I loved the book because it also recognizes the strange gap between kindergarten and first grade. There is only one year's difference between them, but first graders seem so much older. Penny sees kindergarteners in the hall and wonders "They all looked so young, were we ever that small?" Frances is still my little girl, but this book celebrates how first graders have become older and wiser. Our transition to school went so much more smoothly this year because Frances knew the ropes. She knew where the bathroom was, the gym teacher's name, and where the library is. Just like The Night Before First Grade, her night before school started was full of anticipation, not nerves. Thank you, Natasha Wing, for sharing this with us. I think the surest sign of the popularity of this book is that both Frances and Gloria continue to read it on a daily basis.
We are lucky enough to be hosting a giveaway for an autographed copy of The Night Before First Grade. a Rafflecopter giveaway
But you should also go to Natasha's website for more titles in the series. I also want to point out a reading of this book on YouTube here .
Happy back to school to all of you whether you are a parent or a teacher, librarian or school employee. Enjoy this book and the giveaway! Good luck! The giveaway closes next Friday night, September 13th.
The Night Before First Grade. Natasha Wing; illustrated by Deborah Zemke. Grosset & Dunlap, 2005.
The author sent this book to me as part of an organized blog tour for review.
Friday, September 6, 2013
Friday, July 26, 2013
North: The Amazing Story of Arctic Migration
Last week I traveled for work. It was a short, four-day trip to DC for a conference. But I still had a lot to do to get ready for that trip. I had to pack up Frances and Gloria to stay with their dad for the week, including leotards, swimsuits and soccer uniforms. I packed my suitcase, arranged for a pet-sitter for our cat, and traveled for about twelve hours each way. It was a lot of work to leave home for four days, but nothing like what the animals of the world go through to get to the Arctic.
I suspect that most people picture the Arctic as I did before I read North - a cold, frigid, forbidding place where perhaps only polar bears and Santa Claus feel at home. In reality, there are four seasons in the Arctic, including a glorious summer. And, incredibly, animals and wildlife travel for thousands of miles to arrive in the Arctic during the summer.
Dowson sets the stage for this migration by describing the deepest winter. During that time of year, "even the seas freeze deep" (p. 4). But eventually the winter ebbs, and the polar bears and arctic foxes are no longer the only Arctic inhabitants. It begins with warmer seas as spring evolves. Algae bloom under the ice, and plants grow as the ice melts and recedes. As the spring continues animals begin their treck toward the Arctic in what Dowson terms "THE GREATEST JOURNEY ON EARTH!" (p. 11).
There are tons of animals, birds and other wildlife on this incredible journey. Gray whales travel for eight weeks up through the Pacific Ocean without eating. Terns fly to the Arctic all the way from the bottom of the world in Antarctica. Snow geese fly from Mexico, caribou travel from Canada, walrus swim up the coast of Alaska. "By late May, travelers crowd together near the very top of the world." (p. 36) And summer has finally arrived, just in time. "Tundra flowers grow rainbow-bright, the calm air hums with summer bees...New life is everywhere." (p. 40). Animals have risked their lives, traveled unceasingly, gone without food to reach the Arctic at precisely this moment. And their seasonal cycle will continue until September, when winter begins to descend again. Next spring, most of these animals will begin this journey again.
This book was on the Cybils nominations list for Non-fiction Picture Books, and one of the panelists really loved this book. When I first looked at it, I liked the illustrations, and was struck by their crystalline beauty. Benson uses mostly blues and whites in these illustrations, all in a limited palette. There is also cream added, particularly as the summer begins, and some accents of black and gray. The blue, almost a greenish teal, reflects off the frigid waters and the ice. White isn't used just for the ice and glaciers, but striates the walrus' thick skin and delineates the feathers of the terns' wings. The illustrations are highly realistic, but also majestic. One of my favorite illustrations takes place along the gray whale's journey. A young gray whale swims up the Pacific. The top half of the double page spread shows the whale passing Los Angeles; in the bottom half she surfaces near the Golden Gate Bridge. The light is golden in Los Angeles as skyscrapers and hotels stand witness to her journey. In San Francisco, a mother, her child and their dog monitor the whale's progress. I love the way this page is divided. It spreads across both pages, making the reader sense the enormity of the journey. Many of the pages are divided in a variety of ways, keeping the action of migration fresh and compelling. There are close-up illustrations that show the stress of the trip on some of the wildlife, some illustrations that show the expanse of the Arctic.
These illustrations match so well with the text. Dowson's writing is poetic, yet conveys the information clearly and concisely. I was surprised at how much I learned from this book, which seems relatively simple on the surface. This takes a very unique look at migration and its impact on the Arctic. As he describes herrings on their journey, Dowson writes "With bright scales like mirrors, they swerve together, fin by fin." (p. 33). It is gorgeous, emphasizing the awesome journey these animals undertake.
As for back matter, there is a note giving more information about the Arctic. The note also asks readers to consider global warming and its impact on this migration. There are also some websites on the Arctic, a glossary, and an index. While this story makes my trip to DC seem minute in comparison, it does an amazing job explaining the migration of this group of animals, fish and birds for a summer in the Arctic, just where they all want to be. This book does a terrific job of detailing the greatest journey on Earth.
North: The Amazing Story of Arctic Migration. Nick Dowson; illustrated by Patrick Benson. Candlewick Press, 2011.
sent by the publisher for consideration for Cybils
Note: I was on the Cybils nonfiction picture book panel, but this blog post only reflects my personal ideas and thoughts on this book.
Friday, July 12, 2013
New Worlds, Every Day
I am honored to welcome author Nikki Loftin to my blog as my first EVER guest post. I am also thrilled that she is giving away a signed copy of the book, along with stickers and bookmarks, to one my readers (enter the giveaway with the Rafflecopter link below).
Again, this is part of the 2013 Summer Author Promo Blitz. There will be a Twitter party on July 19th at 7pm, with the hashtag #2013SummerAuthorBlitz. There is a Facebook party going on all month as well, located here: https://www.facebook.com/events/1393136437566649/. Thank you, Nikki!!!
<a Rafflecopter giveaway
Again, this is part of the 2013 Summer Author Promo Blitz. There will be a Twitter party on July 19th at 7pm, with the hashtag #2013SummerAuthorBlitz. There is a Facebook party going on all month as well, located here: https://www.facebook.com/events/1393136437566649/. Thank you, Nikki!!!
“Are you writing a sequel?”
Someone asks me this almost every time I speak to groups of
kids or adults about writing. It’s a natural question – and a flattering one
sometimes, from readers who fell in love with the brave, funny characters in my
debut novel, The Sinister Sweetness of Splendid Academy. Readers ask it
with a hopeful tone, and helpful ideas for what I might want to consider adding
to Book Two.
Some people ask because they know I have sold two more
Middle Grade novels to my publisher, and they assume that must mean a series,
right? I mean, why would an author write stand-alone books, one after another,
creating new worlds, whole new slates of characters, again and again? Isn’t
that slightly Sisyphean? (Or, you know, harder than necessary?)
Or is it just dumb? I mean, Everyone knows the real money in writing is coming up with a hot
property, stretching it out as long as you possibly can, spinning out the last
thread of a story’s life so that every question is answered, every mystery
solved. Maybe I’m just not a very clever businesswoman, not smart enough to
figure out how to make this writing thing into a real career. Could be true. But
I don’t think that’s it.
Don’t get me wrong: I’d love to try writing a series
someday. I would also love to drive a Lamborghini like all the other authors
who write series, and eat off new plates every single night like them, wearing
their Jimmy Choos, and… sorry. The sound of all my writer friends laughing is
distracting me.
But the answer is no. I am not writing a sequel, or a series.
I’m not planning on writing a sequel to any of the books I’ve sold. And I may
never write a series. (Although I have this great idea for one titled Barry
Potter and the Toiletsnake of Doom. Instant classic, right?)
Here’s the thing: I love writing. Pretty much love it more
than anything short of eating ice cream. And so far, the best things I’ve
written – the things that people have actually (this still amazes me every day)
PAID me to write – are stand-alone novels.
New idea after new idea? Yep, I’ve got my Muse on speed
dial, people. I adore her, and she’s been pretty good to me, too. My favorite
part of the whole process is imagining the new world, coming up with the things
that make my books different from all the others. Even from all my others.
Some of my favorite books in the world are
stand-alones. The Graveyard Book,
Bridge to Terabithia, The Underneath… when I finished reading
these books, I didn’t need another book to give me that shivery wonderful
feeling of being enraptured with a new world. I pretty much just wanted to read
those books again and again – and I did.
When I was a girl, the very best part of reading was when I
reached the end of a story, and couldn’t let it go – and so I’d sit by myself
and daydream the rest of the day or week or month. I’d let the characters in my
favorite books loose in my head, and let them live out new lives, new stories.
Sometimes I’d even write my new stories down. (It’s called fan fiction now. I
hear some authors have done very well with it.)
I think in part those moments of continuing favorite stories
made me into a writer. If all the loose ends had been tied up? I might have
read more of those authors’ books, but I probably wouldn’t have spent so much
time playing at being an author myself.
Learning to be an author.
So, the book I’m writing now, Nightingale’s Nest, is
not a sequel. It’s completely new. But I think – I hope – when some young
reader finishes it, if I’ve crafted the ending just right – they’ll get to have
that shivery feeling, too. And then maybe they’ll write a sequel in their minds
– and get a taste for the magic that is creating.
Because as much as I love creating new worlds, I really,
really love creating new writers.
###
About The Sinister Sweetness of Splendid Academy:
Lorelei is bowled over by Splendid Academy—Principal Trapp
encourages the students to run in the hallways, the classrooms are stocked with
candy dishes, and the cafeteria serves lavish meals featuring all Lorelei's
favorite foods. But the more time she spends at school, the more suspicious she
becomes. Why are her classmates growing so chubby? And why do the teachers seem
so sinister?
It's up to Lorelei and her new friend Andrew to figure out what secret this supposedly splendid school is hiding. What they discover chills their bones—and might even pick them clean!
Mix one part magic, one part mystery, and just a dash of Grimm, and you've got the recipe for a cozy-creepy read that kids will gobble up like candy.
It's up to Lorelei and her new friend Andrew to figure out what secret this supposedly splendid school is hiding. What they discover chills their bones—and might even pick them clean!
Mix one part magic, one part mystery, and just a dash of Grimm, and you've got the recipe for a cozy-creepy read that kids will gobble up like candy.
Reviews for Sinister Sweetness:
"A mesmerizing read. . . . a fantasy that feels
simultaneously classic and new."—Publishers Weekly
"An irresistible contemporary fairy tale. . . .
Deliciously scary and satisfying."—Kirkus
About the Author
Nikki Loftin is a writer and native Texan who lives just outside
Austin, Texas, with her two boys, an assortment of animals, and one very
patient husband. The Sinister Sweetness of Splendid Academy is her first
novel. Her next novel, Nightingale’s Nest, is also for young readers and
will be published in February 2014.
About Nightingale’s Nest:
Twelve-year-old John Fischer Jr., or “Little John” as he’s
always been known, is spending his summer helping his father with his tree
removal business, clearing brush for Mr. King, the wealthy owner of a chain of
Texas dollar stores, when he hears a beautiful song that transfixes him. He
follows the melody and finds, not a bird, but a young girl sitting in the
branches of a tall sycamore tree.
There’s something magical about this girl, Gayle, especially her soaring singing voice, and Little John’s friendship with Gayle quickly becomes the one bright spot in his life, for his home is dominated by sorrow over his sister’s death and his parents’ ever-tightening financial difficulties.
But then Mr. King draws Little John into an impossible choice—forced to choose between his family’s survival and a betrayal of Gayle that puts her future in jeopardy.
Inspired by a Hans Christian Andersen story, Nightingale's Nest is an unforgettable novel about a boy with the weight of the world on his shoulders and a girl with the gift of healing in her voice.
There’s something magical about this girl, Gayle, especially her soaring singing voice, and Little John’s friendship with Gayle quickly becomes the one bright spot in his life, for his home is dominated by sorrow over his sister’s death and his parents’ ever-tightening financial difficulties.
But then Mr. King draws Little John into an impossible choice—forced to choose between his family’s survival and a betrayal of Gayle that puts her future in jeopardy.
Inspired by a Hans Christian Andersen story, Nightingale's Nest is an unforgettable novel about a boy with the weight of the world on his shoulders and a girl with the gift of healing in her voice.
PRAISE FOR NIGHTINGALE'S NEST:
"An extraordinary read—I had to tear myself away from it."—Katherine Catmull, author of Summer and Bird
"Perfectly captures the challenges of growing up and dealing with loss. Get ready to have your heart touched."—Shannon Messenger, author of Keeper of the Lost Cities
"Tugs and tears at the reader’s heart. . . . lovely and magical."—Bethany Hegedus, author of Truth with a Capital T and Between Us Baxters
"Riveting. . . . This is a book you'll long remember."—Lynda Mullaly Hunt, author of One for the Murphys
"Loftin's eye for strange beauty in unexpected places often takes the reader's breath away."—Claire Legrand, author of The Cavendish Home for Boys and Girls
"Will haunt your soul—and lift your heart."—Kimberley Griffiths Little, author of The Healing Spell and When the Butterflies Came
"A haunting, beautifully told story!"—Bobbie Pyron, author of The Dogs of Winter and A Dog's Way Home
"The kind of book I wanted to read slowly."—Shelley Moore Thomas, author of The Seven Tales of Trinket
"This is a work of tremendous heart."—Anne Ursu, author of Breadcrumbs
"An extraordinary read—I had to tear myself away from it."—Katherine Catmull, author of Summer and Bird
"Perfectly captures the challenges of growing up and dealing with loss. Get ready to have your heart touched."—Shannon Messenger, author of Keeper of the Lost Cities
"Tugs and tears at the reader’s heart. . . . lovely and magical."—Bethany Hegedus, author of Truth with a Capital T and Between Us Baxters
"Riveting. . . . This is a book you'll long remember."—Lynda Mullaly Hunt, author of One for the Murphys
"Loftin's eye for strange beauty in unexpected places often takes the reader's breath away."—Claire Legrand, author of The Cavendish Home for Boys and Girls
"Will haunt your soul—and lift your heart."—Kimberley Griffiths Little, author of The Healing Spell and When the Butterflies Came
"A haunting, beautifully told story!"—Bobbie Pyron, author of The Dogs of Winter and A Dog's Way Home
"The kind of book I wanted to read slowly."—Shelley Moore Thomas, author of The Seven Tales of Trinket
"This is a work of tremendous heart."—Anne Ursu, author of Breadcrumbs
<a Rafflecopter giveaway
Just picked a winner for the giveaway (which is now closed) - Mackenzi V, you will be getting an email from me soon!!! Thank you all for entering!
Monday, July 8, 2013
2013 Summer Author Promo Blitz!
Hi everyone! Just a quick note to let you all know that I am part of the 2013 Summer Author Promo Blitz, and I am really excited to let Nikki Loftin take over my blog later this week (July 12th). She is also going to do a giveaway - something I've never done on my blog before - so get ready to win some prizes! I can't wait for her post and giveaway. It should be fun.
I will hopefully do a review of Nikki's book, The Sinister Sweetness of Splendid Academy in the next few days as well. It looks spooky and, well, sinister, doesn't it??
And here is Nikki's website, with more information about her upcoming book, Nightingale's Nest, which has some great blurbs from terrific authors - it doesn't come out until 2014, which makes me a little sad - I can't wait to read that one too. If Anne Ursu likes it, count me in!
If you'd like to participate more fully in the 2013 Summer Author Promo Blitz, there is a list of blogs and participating authors here. There will be a Twitter party on July 19th at 7pm with the hashtag #2013SummerAuthorBlitz. There will also be a Facebook party going on all month at https://www.facebook.com/events/1393136437566649/. It should all be a lot of fun! See you on the 12th to learn more about Nikki Loftin!
I will hopefully do a review of Nikki's book, The Sinister Sweetness of Splendid Academy in the next few days as well. It looks spooky and, well, sinister, doesn't it??
And here is Nikki's website, with more information about her upcoming book, Nightingale's Nest, which has some great blurbs from terrific authors - it doesn't come out until 2014, which makes me a little sad - I can't wait to read that one too. If Anne Ursu likes it, count me in!
If you'd like to participate more fully in the 2013 Summer Author Promo Blitz, there is a list of blogs and participating authors here. There will be a Twitter party on July 19th at 7pm with the hashtag #2013SummerAuthorBlitz. There will also be a Facebook party going on all month at https://www.facebook.com/events/1393136437566649/. It should all be a lot of fun! See you on the 12th to learn more about Nikki Loftin!
Wednesday, July 3, 2013
Big Beasts: Eagle, Polar Bear, Tiger, Whale
So as you all know by now, I've become much more focused on children's nonfiction in the last few years. I went from having very little interest in nonfiction to wanting to find all the latest, greatest, and the unusual nonfiction - the nonfiction that stands out from the crowd. So when I got an email earlier this spring that School Library Journal was hosting a webinar called "What's the Buzz? New Books in Nonfiction", I thought I needed to attend. Unfortunately, my day job comes first, and a meeting was scheduled at the same time as the webinar. Luckily, School Library Journal offered an archived version. It still took me weeks to find time to watch it. When I watched the webinar, I had my library's website and Amazon open at the same time, so I could check for many of the books mentioned from Scholastic, Capstone and DK. We've already read and enjoyed many of them, including some Star Wars books (Frances and Gloria have become Star Wars fans this spring) that we've ended up buying.
But the publisher that most intrigued me was Black Rabbit Books. I've been in the library world for a long time, and I wasn't familiar with them. My public library didn't have any of the titles in their catalog. But the nonfiction that was highlighted in the webinar seemed to fit very nicely with both my girls' reading levels and interests. So I did something I rarely do, and requested them from the publisher for review. I was really delighted to receive some of the books for review, and also really pleased to write about them here.
I was sent four books in the Big Beasts series, written by Stephanie Turnbull - Whale, Tiger, Eagle and Polar Bear. Frances will be going into first grade in the fall, and I thought these might be a good fit for her reading level. And they are. Each book is set up in a similar way. It starts with a statement about the animal or bird about how large they are (tying back into the series title). Then there are two-page sections with groups of facts organized by a heading. For instance, in Eagle, there is a section titled Dinner Time! There are three facts about eagles and their feeding patterns on the double-page spread. There is a large, clear photograph of the eagle, swooping down into a body of water. There are also smaller photographs of some of the eagle's prey. The facts usually tie together clearly and flow naturally. The language is concise but exciting. On the Dinner Time! page, Turnbull includes the fact "They swoop down faster than a speeding car and grab prey in their long talons. " (p. 11). These are perfect facts for young readers - written at their level and also written in a way that helps them visualize animals they will most likely never see up close.
At the end of each of the four books, there is a spread of BIG facts about the big beast. Three of the four books I was sent use fabulous graphics to illustrate these BIG facts. "Polar bears can be longer than you and a friend lying end to end." (p. 22) is illustrated with a photograph of two children stretched out. Again, these graphics really help new readers envision these facts in a very concrete way. A picture of a house illustrates the fact that a whale's spout of air and spray shoots higher than a house. I found most of these BIG facts incredibly informative and well-done. Tiger, however, just had a list of facts without all the same types of connections made for readers.
All of the books have a variety of photographs on every page. These photographs all show the animals and birds in the wild, not in zoos, so readers can see them in their own habitats. As I mentioned earlier, the books include information about the animals' feeding habits. Photographs of the polar bear and tiger show them bloodied by their kills. I think these photographs can also be attractive to some readers - they like to see the blood and gore! The photographs are clear and vivid and demonstrate the Big Beasts' behaviors.
I was surprised by the breadth of facts included in these books. I was also surprised by what I learned about animals I would have thought I knew everything about. I really thought that a book aimed at kindergarten and first graders wouldn't have anything new to offer me. But I learned at least one new thing from every book. Did you know tigers have three different kinds of teeth for three separate tasks (biting, tearing and slicing)? I didn't. Or that polar bears roll on snow to dry their fur after getting out of the water? I always advocate for adults to read children's nonfiction too, and this series is a great example of how much we can learn, even when the facts are presented in a simple manner.
My favorite book of the four is Whale. It covered many different kinds of whales, and included lots of fascinating facts about whales. But all of them are great. Each book ends with an index, a glossary of "useful words" and a web link to help set the bar for nonfiction for young children. I am happy to see that information for these young readers still takes the idea of back matter seriously. I really like this series - I know Frances' school would love to have them, but I'm sure I can part with these books yet!
Eagle. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Polar Bear. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Tiger. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Whale. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
books sent by the publisher for review
But the publisher that most intrigued me was Black Rabbit Books. I've been in the library world for a long time, and I wasn't familiar with them. My public library didn't have any of the titles in their catalog. But the nonfiction that was highlighted in the webinar seemed to fit very nicely with both my girls' reading levels and interests. So I did something I rarely do, and requested them from the publisher for review. I was really delighted to receive some of the books for review, and also really pleased to write about them here.
I was sent four books in the Big Beasts series, written by Stephanie Turnbull - Whale, Tiger, Eagle and Polar Bear. Frances will be going into first grade in the fall, and I thought these might be a good fit for her reading level. And they are. Each book is set up in a similar way. It starts with a statement about the animal or bird about how large they are (tying back into the series title). Then there are two-page sections with groups of facts organized by a heading. For instance, in Eagle, there is a section titled Dinner Time! There are three facts about eagles and their feeding patterns on the double-page spread. There is a large, clear photograph of the eagle, swooping down into a body of water. There are also smaller photographs of some of the eagle's prey. The facts usually tie together clearly and flow naturally. The language is concise but exciting. On the Dinner Time! page, Turnbull includes the fact "They swoop down faster than a speeding car and grab prey in their long talons. " (p. 11). These are perfect facts for young readers - written at their level and also written in a way that helps them visualize animals they will most likely never see up close.
At the end of each of the four books, there is a spread of BIG facts about the big beast. Three of the four books I was sent use fabulous graphics to illustrate these BIG facts. "Polar bears can be longer than you and a friend lying end to end." (p. 22) is illustrated with a photograph of two children stretched out. Again, these graphics really help new readers envision these facts in a very concrete way. A picture of a house illustrates the fact that a whale's spout of air and spray shoots higher than a house. I found most of these BIG facts incredibly informative and well-done. Tiger, however, just had a list of facts without all the same types of connections made for readers.
All of the books have a variety of photographs on every page. These photographs all show the animals and birds in the wild, not in zoos, so readers can see them in their own habitats. As I mentioned earlier, the books include information about the animals' feeding habits. Photographs of the polar bear and tiger show them bloodied by their kills. I think these photographs can also be attractive to some readers - they like to see the blood and gore! The photographs are clear and vivid and demonstrate the Big Beasts' behaviors.
I was surprised by the breadth of facts included in these books. I was also surprised by what I learned about animals I would have thought I knew everything about. I really thought that a book aimed at kindergarten and first graders wouldn't have anything new to offer me. But I learned at least one new thing from every book. Did you know tigers have three different kinds of teeth for three separate tasks (biting, tearing and slicing)? I didn't. Or that polar bears roll on snow to dry their fur after getting out of the water? I always advocate for adults to read children's nonfiction too, and this series is a great example of how much we can learn, even when the facts are presented in a simple manner.
My favorite book of the four is Whale. It covered many different kinds of whales, and included lots of fascinating facts about whales. But all of them are great. Each book ends with an index, a glossary of "useful words" and a web link to help set the bar for nonfiction for young children. I am happy to see that information for these young readers still takes the idea of back matter seriously. I really like this series - I know Frances' school would love to have them, but I'm sure I can part with these books yet!
Eagle. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Polar Bear. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Tiger. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
Whale. Stephanie Turnbull. Black Rabbit Books: Smart Apple Media, 2013.
books sent by the publisher for review
Friday, June 21, 2013
Freedom Song
I continue to write posts about some of the books I loved during the Cybils process. I keep trying to bring as much attention as possible to the Cybils - it is so much fun for me. The books, the discussion, the exposure to books I hadn't seen before, the discussion... I want everyone to know about these panels! I can't believe it's summer, almost time to apply for a panel again, and I still have a few more books to write about. There are so many books that are nominated, and so many of those books strike me, and just don't win the support of the whole panel, but are still worthy of additional discussion. Two of the things that struck me about Freedom Song: The Story of Henry "Box" Brown were the twin themes of family and music.
One of the ways an author can bring the realities of anyone's life and story to readers is to use those things that are universal. Even as I sit here, more than 150 years later, in completely different circumstances, some of Henry Brown's feelings about his family are painfully real to me.
This story begins with Henry Brown's birth. He is born a slave, but far more importantly, he was born into a family full of love. "Mama blew kisses on his soft, brown body. Papa named him Henry, held him high to the sky. Sisters and brothers tickled his toes." On the next page, Walker notes "The whole family's love grew Henry strong", even as the shadow of Master waiting outside their door threatens the family circle. Once Henry begins working for Master, his songs begin. Henry has a song for every situation - a workday song, a hidey-hole song, and his favorite, most heartfelt, secret song, his freedom song. "Henry's freedom song promised a place where families stayed together."
And that freedom songs stays in his heart and mind as he is sent away to Richmond to work in a tobacco factory when he is almost grown. Just as he leaves his family, he meets and falls in love with another slave, Nancy. When their masters allow them to marry, "Henry and Nancy sang with joy." Henry and Nancy have their own children, and as their life grows and changes, "Family songs hushed Henry's freedom song." Then the most heart-wrenching thing happens: their master sells Nancy and their children away. Henry grieves for his lost family. He is silent, without the music that accompanied him previously. Except for that one song that he has always held secret in a corner of his heart - his freedom song. That freedom song leads him to do something daring - escape slavery to try and save his family.
Henry builds a box to ship himself to freedom, to the address of William Johnson, a freedom-loving man in Pennsylvania. This is a dangerous escape plan for many reasons - if he is caught, he may be killed as a runaway slave. But it is also physically dangerous. Henry plans carefully, and includes water in his padded box. But there are other unpredictable dangers - at one point, the box tips over and slams Henry onto his head. While he makes it to freedom, the book ends before we know what happens with Henry and his family.
As you can see from the recap of Henry's life story, one of the most beautiful things about this book to me is the circle of family. Henry begins his life with the tight circle of family. Their life isn't easy - there are lines of exhaustion and worry on Henry's mother's face as she serves the family dinner. But there is love in how they sit, facing each other and spending time together. Walker writes that Henry isn't sent away until he "was almost grown", which is unusual. He spends a lot of his life with his family. Then when he moves to Richmond and falls in love with Nancy, he continues that strong family connection that his parents modeled for him. "He named his son, held him high to the sky", just as Henry's father had done with him. The illustrations show Henry's family gathered around each other, singing while Henry plays the banjo. All connected, loving, despite their slavery, despite the harsh realities of their lives.
Then there are those heartbreaking moments when first his children and then his wife are sold away from him. When Henry hears his older son calling, he runs to the wagon. "Henry fought to reach his son, to clutch him in this arms." But he is restrained. Then when he finds Nancy, "Henry clasped her hands. He held on tight and walked for miles, until men tore him away." Walker tells Henry's story with stark, raw, painful details. It puts me right in the middle of his grief, his despair and desperation.
Walker's writing is amazing - the way that she incorporates the musical words is so natural and yet all-pervasive. When he is told that his family is gone, Walker says that "Henry's song died in his throat." Those songs have sustained him his entire life, been the songs that celebrate love and family. And then they are silent as Henry huddles under a worn blanket, staring out the window in misery. But the freedom song revives Henry's heart and speeds him on his way to freedom. His music keeps him determined and keeps him moving towards freedom. The combination of the song and and the family in his heart drive him to risk getting away.
Qualls' illustrations are incredibly striking. They are historically accurate and yet feel modern too. Qualls does an amazing job of bringing Henry and his family to life. The expressions, hard work, and hard life are etched on their faces. As Henry's family is taken away, you can recognize his despair from his upraised arms, his fall to his knees. The colors are blues, browns and blacks which give some peace to the family scenes, and some starkness to the emotional pages. And there is a circle motif throughout the pages, reminding me of the movement and travel depicted there - both the movement Henry chooses and the movement he cannot control.
While there is an author's note and an excerpt from a letter from the man Brown shipped himself to, I do wish there was more back matter. Walker refers to the fact that Henry gave lectures about his escape, and I wish she could have cited those, or included a bibliography of sources for his story. But I love the construction of this story and how Walker creates such an emotional gripping story. Its strengths don't disappear just because I would have liked stronger back matter. It is one of those nonfiction picture books that would work well at a number of age levels and levels of comprehension. Because we all have a family.
Freedom Song: The Story of Henry "Box" Brown. By Sally J. Walker; illustrated by Sean Qualls. Harper, 2012.
sent by the publisher for Cybils consideration
Note: I was on the Cybils nonfiction picture book panel, but this blog post only reflects my personal ideas and thoughts on this book.
One of the ways an author can bring the realities of anyone's life and story to readers is to use those things that are universal. Even as I sit here, more than 150 years later, in completely different circumstances, some of Henry Brown's feelings about his family are painfully real to me.
This story begins with Henry Brown's birth. He is born a slave, but far more importantly, he was born into a family full of love. "Mama blew kisses on his soft, brown body. Papa named him Henry, held him high to the sky. Sisters and brothers tickled his toes." On the next page, Walker notes "The whole family's love grew Henry strong", even as the shadow of Master waiting outside their door threatens the family circle. Once Henry begins working for Master, his songs begin. Henry has a song for every situation - a workday song, a hidey-hole song, and his favorite, most heartfelt, secret song, his freedom song. "Henry's freedom song promised a place where families stayed together."
And that freedom songs stays in his heart and mind as he is sent away to Richmond to work in a tobacco factory when he is almost grown. Just as he leaves his family, he meets and falls in love with another slave, Nancy. When their masters allow them to marry, "Henry and Nancy sang with joy." Henry and Nancy have their own children, and as their life grows and changes, "Family songs hushed Henry's freedom song." Then the most heart-wrenching thing happens: their master sells Nancy and their children away. Henry grieves for his lost family. He is silent, without the music that accompanied him previously. Except for that one song that he has always held secret in a corner of his heart - his freedom song. That freedom song leads him to do something daring - escape slavery to try and save his family.
Henry builds a box to ship himself to freedom, to the address of William Johnson, a freedom-loving man in Pennsylvania. This is a dangerous escape plan for many reasons - if he is caught, he may be killed as a runaway slave. But it is also physically dangerous. Henry plans carefully, and includes water in his padded box. But there are other unpredictable dangers - at one point, the box tips over and slams Henry onto his head. While he makes it to freedom, the book ends before we know what happens with Henry and his family.
As you can see from the recap of Henry's life story, one of the most beautiful things about this book to me is the circle of family. Henry begins his life with the tight circle of family. Their life isn't easy - there are lines of exhaustion and worry on Henry's mother's face as she serves the family dinner. But there is love in how they sit, facing each other and spending time together. Walker writes that Henry isn't sent away until he "was almost grown", which is unusual. He spends a lot of his life with his family. Then when he moves to Richmond and falls in love with Nancy, he continues that strong family connection that his parents modeled for him. "He named his son, held him high to the sky", just as Henry's father had done with him. The illustrations show Henry's family gathered around each other, singing while Henry plays the banjo. All connected, loving, despite their slavery, despite the harsh realities of their lives.
Then there are those heartbreaking moments when first his children and then his wife are sold away from him. When Henry hears his older son calling, he runs to the wagon. "Henry fought to reach his son, to clutch him in this arms." But he is restrained. Then when he finds Nancy, "Henry clasped her hands. He held on tight and walked for miles, until men tore him away." Walker tells Henry's story with stark, raw, painful details. It puts me right in the middle of his grief, his despair and desperation.
Walker's writing is amazing - the way that she incorporates the musical words is so natural and yet all-pervasive. When he is told that his family is gone, Walker says that "Henry's song died in his throat." Those songs have sustained him his entire life, been the songs that celebrate love and family. And then they are silent as Henry huddles under a worn blanket, staring out the window in misery. But the freedom song revives Henry's heart and speeds him on his way to freedom. His music keeps him determined and keeps him moving towards freedom. The combination of the song and and the family in his heart drive him to risk getting away.
Qualls' illustrations are incredibly striking. They are historically accurate and yet feel modern too. Qualls does an amazing job of bringing Henry and his family to life. The expressions, hard work, and hard life are etched on their faces. As Henry's family is taken away, you can recognize his despair from his upraised arms, his fall to his knees. The colors are blues, browns and blacks which give some peace to the family scenes, and some starkness to the emotional pages. And there is a circle motif throughout the pages, reminding me of the movement and travel depicted there - both the movement Henry chooses and the movement he cannot control.
While there is an author's note and an excerpt from a letter from the man Brown shipped himself to, I do wish there was more back matter. Walker refers to the fact that Henry gave lectures about his escape, and I wish she could have cited those, or included a bibliography of sources for his story. But I love the construction of this story and how Walker creates such an emotional gripping story. Its strengths don't disappear just because I would have liked stronger back matter. It is one of those nonfiction picture books that would work well at a number of age levels and levels of comprehension. Because we all have a family.
Freedom Song: The Story of Henry "Box" Brown. By Sally J. Walker; illustrated by Sean Qualls. Harper, 2012.
sent by the publisher for Cybils consideration
Note: I was on the Cybils nonfiction picture book panel, but this blog post only reflects my personal ideas and thoughts on this book.
Wednesday, June 12, 2013
Hold Fast
I wish I could remember who mentioned Hold Fast first. I read a lot of blogs that mention children's literature, and I apologize for the fact that I can't remember who it was. But they mentioned that the book was about homelessness and that it was written by Blue Balliett. I read both Chasing Vermeer and The Wright 3 when they came out, but I hadn't read anything since then. I thought this book sounded like it was something I wanted to try. So I put it on hold, and then finally picked it up at the library.
The reason it appealed to me especially was because of its subject matter. My cubicle at the MT Office of Public Instruction is quite close to our State Coordinator for Homeless, Neglected and Delinquent Education's desk. I've heard her advocate for homeless children over and over again. And I was hoping this book would make this situation real for children all over, while also being something children who are currently homeless would also be able to relate to. I think Balliett scored on both points.
The book begins with the Pearl family. There is Dash (Dashel) - the father, Sum (Summer) - the mother, and Early and Jubilation. Early is in fifth grade, and Jubilation (who is mostly called Jubie) is still at home with Sum at four years old. The Pearls' life is not easy - there is only one income, and that isn't very much. Dash works at the Chicago Public Library as a Library Page. Balliett says "The Pearl family rents the biggest apartment they can afford. It is one room." (p. 8) There isn't much there, but what is there is crucial to their growth and survival - words and books. Dash often says to his children "'Words are free and plentiful'" (p. 6). They use their library to its fullest extent - checking out books upon books and absorbing them. They are learners.
But money is scarce, and when Dash is asked to do a side job, for which he's paid in cash, he agrees. It's book-related, but has an air of mystery about it. And then, one day, on his way home from work, Dash disappears off the street. All that's left is his bicycle, a notebook, and a bag of groceries. What could have happened to Dash? Is he even still alive?
While Sum and Early are trying to find out what happened to Dash, they are visited by people claiming to be the police. The "police" break down their door and rip apart all of the Pearl family's belongings. Oddly, the "police" take all of the family's books, except one that got pushed under the coffee table. It's rescued by Early - it is a book her father saved for her, Langston Hughes' The First Book of Rhythms. At this point, the family doesn't feel safe in their home any longer (and the apartment is totally destroyed). A neighbor tells Sum "' You and the babies shouldn't be where they can find you again. No place near. You best get you to a city shelter..." (p. 60). The family has nowhere else to go, and any money they had was taken by the criminals.
I don't want to give away the plot's twists and turns because they are intricate and well-done, just like all of Balliett's books. What interested me about this book were its two main themes - homelessness and books/reading/words/libraries.
The family's time in the shelter is difficult, for sure. When they first arrive, they are placed in a large room of bunkbeds, called a cluster, crammed with families. Balliett is compassionate in her descriptions, but realistic too. The rules are laid out in a matter of fact way by the director" "Know where your kids are at all times, and never leave the shelter without them... You can use the shelter phone to make fifteen minutes of calls anytime between nine A.M. and four P.M....patience and politeness go a long way. Everyone's call is important." (p. 82-3). There is no privacy, but there are shelter residents who hold fast to their kindness and generosity, even in bad situations.
The shelter tests the Pearl family's strength. Already frazzled beyond the breaking point and worried about Dash, Sum is trying to make calls - both to notify people of their whereabouts and also to try and find some job to sustain them. But even after Sum waits in the endless phone line, she quite often has to leave messages, and there is no way for anyone to call her back. The family is required to eat meals at specific times, and if they miss a meal, there is nothing else to eat, so the Pearl family also has to shuffle errands around their meal times. It is constantly noisy, even at night. Sum is beginning to shut down, and stop functioning.
Early and Jubie are the ones who "hold fast" - to their belief in finding Dash, and to their belief that they will get out of this shelter. As Sum begins to give in to her depression, the Pearl children, particularly Early, encourage Sum to hold fast and keep fighting. "Hold fast" comes from a Hughes poem in The First Book of Rhythms. The words of that poem inspire Early to dream: "Dig down, fly high, remember where you want to go, and one day you'll get there: Roots + Wings + Dreams = Home!" (p. 42-3). She, like many children, is resilient enough to take this experience and use it to propel her forward, instead of collapsing under its weight.
Of course, as a former librarian, I love any book that incorporates books and reading into its pages. But this one does so much more than that. It is instilled in almost every word of this book, and Balliett does that with such love and tenderness. Reading is what saves this family over and over again. Balliett writes about their relationship with words and books so beautifully. "Dashel Pearl offered words to his kids from the day they were born. A man who loved language almost as much as color or taste or air, he explained to his daughter, Early, that words are everywhere and for everyone." (p.6) "This was a family of important words and their important histories." (p. 15) This family has little besides words, but to them, words are all that matter.
This book is sad, joyous, scary and thoughtful. It is chock full of energy, compassion, misery and struggle. But most importantly, it is full of reading, learning, and the love of words all wrapped up in a mystery. Don't miss it.
Hold Fast. Blue Balliett. Scholastic Press, 2013.
borrowed from Lewis & Clark Library
The reason it appealed to me especially was because of its subject matter. My cubicle at the MT Office of Public Instruction is quite close to our State Coordinator for Homeless, Neglected and Delinquent Education's desk. I've heard her advocate for homeless children over and over again. And I was hoping this book would make this situation real for children all over, while also being something children who are currently homeless would also be able to relate to. I think Balliett scored on both points.
The book begins with the Pearl family. There is Dash (Dashel) - the father, Sum (Summer) - the mother, and Early and Jubilation. Early is in fifth grade, and Jubilation (who is mostly called Jubie) is still at home with Sum at four years old. The Pearls' life is not easy - there is only one income, and that isn't very much. Dash works at the Chicago Public Library as a Library Page. Balliett says "The Pearl family rents the biggest apartment they can afford. It is one room." (p. 8) There isn't much there, but what is there is crucial to their growth and survival - words and books. Dash often says to his children "'Words are free and plentiful'" (p. 6). They use their library to its fullest extent - checking out books upon books and absorbing them. They are learners.
But money is scarce, and when Dash is asked to do a side job, for which he's paid in cash, he agrees. It's book-related, but has an air of mystery about it. And then, one day, on his way home from work, Dash disappears off the street. All that's left is his bicycle, a notebook, and a bag of groceries. What could have happened to Dash? Is he even still alive?
While Sum and Early are trying to find out what happened to Dash, they are visited by people claiming to be the police. The "police" break down their door and rip apart all of the Pearl family's belongings. Oddly, the "police" take all of the family's books, except one that got pushed under the coffee table. It's rescued by Early - it is a book her father saved for her, Langston Hughes' The First Book of Rhythms. At this point, the family doesn't feel safe in their home any longer (and the apartment is totally destroyed). A neighbor tells Sum "' You and the babies shouldn't be where they can find you again. No place near. You best get you to a city shelter..." (p. 60). The family has nowhere else to go, and any money they had was taken by the criminals.
I don't want to give away the plot's twists and turns because they are intricate and well-done, just like all of Balliett's books. What interested me about this book were its two main themes - homelessness and books/reading/words/libraries.
The family's time in the shelter is difficult, for sure. When they first arrive, they are placed in a large room of bunkbeds, called a cluster, crammed with families. Balliett is compassionate in her descriptions, but realistic too. The rules are laid out in a matter of fact way by the director" "Know where your kids are at all times, and never leave the shelter without them... You can use the shelter phone to make fifteen minutes of calls anytime between nine A.M. and four P.M....patience and politeness go a long way. Everyone's call is important." (p. 82-3). There is no privacy, but there are shelter residents who hold fast to their kindness and generosity, even in bad situations.
The shelter tests the Pearl family's strength. Already frazzled beyond the breaking point and worried about Dash, Sum is trying to make calls - both to notify people of their whereabouts and also to try and find some job to sustain them. But even after Sum waits in the endless phone line, she quite often has to leave messages, and there is no way for anyone to call her back. The family is required to eat meals at specific times, and if they miss a meal, there is nothing else to eat, so the Pearl family also has to shuffle errands around their meal times. It is constantly noisy, even at night. Sum is beginning to shut down, and stop functioning.
Early and Jubie are the ones who "hold fast" - to their belief in finding Dash, and to their belief that they will get out of this shelter. As Sum begins to give in to her depression, the Pearl children, particularly Early, encourage Sum to hold fast and keep fighting. "Hold fast" comes from a Hughes poem in The First Book of Rhythms. The words of that poem inspire Early to dream: "Dig down, fly high, remember where you want to go, and one day you'll get there: Roots + Wings + Dreams = Home!" (p. 42-3). She, like many children, is resilient enough to take this experience and use it to propel her forward, instead of collapsing under its weight.
Of course, as a former librarian, I love any book that incorporates books and reading into its pages. But this one does so much more than that. It is instilled in almost every word of this book, and Balliett does that with such love and tenderness. Reading is what saves this family over and over again. Balliett writes about their relationship with words and books so beautifully. "Dashel Pearl offered words to his kids from the day they were born. A man who loved language almost as much as color or taste or air, he explained to his daughter, Early, that words are everywhere and for everyone." (p.6) "This was a family of important words and their important histories." (p. 15) This family has little besides words, but to them, words are all that matter.
This book is sad, joyous, scary and thoughtful. It is chock full of energy, compassion, misery and struggle. But most importantly, it is full of reading, learning, and the love of words all wrapped up in a mystery. Don't miss it.
Hold Fast. Blue Balliett. Scholastic Press, 2013.
borrowed from Lewis & Clark Library
Subscribe to:
Posts (Atom)